Review — 'A Film Unfinished'

From Kenneth Turan, at LAT:

Squeezing half a million Jews into the 3 square miles of the Warsaw Ghetto led to almost unimaginable poverty and desolation. The beggars in pathetic rags, the starving people dying on the streets, the sick and destitute living in squalor, these make the most powerful of impressions.

Just as disturbing are the original footage's numerous close-ups of ghetto residents, close-ups that are simply awful to look at. Living faces haunted by knowledge of a sure death, these are among the most purely despairing images ever put on screen.

As bad, if not worse, are scenes that almost beggar description. There is the horrible humiliation of forcing women to disrobe and then filming them, clearly terrified, using a mikvah, or ritual bath. And shots of the numberless corpses piled one on top of the other in the ghetto's massive cemetery leave one speechless with despondency.

The Nazis, obviously, were not interested in a film that emphasized Jewish suffering. The aim of "The Ghetto," as far as can be determined, was to contrast this pain with the alleged callous indifference of better-off Jews, to show, as the voice-over says, "the paradise the Jews lived in." Only, there were no better-off Jews, let alone a paradise, which is where the Nazi fakery and manipulation came in.

Outtakes show that key scenes were staged over and over again from multiple angles. As a voice-over reading from the journals of Adam Czerniakow, the head of the ghetto's Jewish Council, makes clear, the sequences we see of Jews putting on evening dress to go to Champagne banquets were completely fabricated. As a survivor of the ghetto laconically says on watching a dinner with flowers on the table, "We would have eaten the flowers."

See also, NYT, "An Israeli Finds New Meanings in a Nazi Film."

I posted the trailer previously. I'll have some comments on the film later today.